Publikationen

MONOGRAPHS

Francine Giese, Bauen und Erhalten in al-Andalus. Bau- und Restaurierungspraxis in der Moschee-Kathedrale von Córdoba, Bern: Peter Lang, 2016.

Francine Giese, Das islamische Rippengewölbe. Ursprung, Form, Verbreitung, Berlin: Gebr. Mann Verlag, 2007.

EDITED BOOKS

Francine Giese, Mercedes Volait, Ariane Varela Braga (eds.), A l'Orientale – Collecting, Displaying and Appropriating Islamic Art and Architecture in the West (Arts and Archeology of the Islamic World), Leiden: Brill, 2019 (forthcoming).

Francine Giese, Alberto León Muñoz (eds.), Artistic Dialogue during the Middle Ages. Islamic Art – Mudéjar Art, proceedings of the international conference held in Cordoba, 18-19 November 2016, Cordoba: Casa Arabe, 2018 (forthcoming).

Francine Giese, Leïla el-Wakil, Ariane Varela Braga (eds.), Der Orient in der Schweiz / L'Orient en Suisse. Neoislamische Architektur und Interieurs im 19. und 20. Jahrhundert (Welten des Islam), Berlin: Walter de Gruyter, Berlin, 2018 (in press).

Francine Giese, Markus Thome, Anna Pawlak (eds.), Tomb, Memory, Space. Concepts of Representation in Premodern Christian and Islamic Art, Berlin: Walter de Gruyter, 2018.

Francine Giese, Ariane Varela Braga (eds.), The Power of Symbols. The Alhambra in a Global Context, proceedings of the international conference held in Zurich, 15-17 September 2016, Bern: Peter Lang, 2018.

Francine Giese, Ariane Varela Braga et al. (eds.), A Fashionable Style – Carl von Diebitsch und das Maurische Revival, exhibition catalogue (Architekturmuseum TU Berlin), Bern: Peter Lang, 2017.

Francine Giese, Ariane Varela Braga (eds.), Die Aneignung des Orients. L'appropriation de l'Orient (SGMOIK Bulletin 44), Bern: SGMOIK, 2017.

Francine Giese, Ariane Varela Braga (eds.), The Myth of the Orient. Architecture and Ornament in the Age of Orientalism, proceedings of the international conference held at Oberhofen Castle, 12 June 2015, Bern: Peter Lang, 2016.

Francine Giese et al., Mythos Orient. Ein Berner Architekt in Kairo, exhibition catalogue (Oberhofen Castle), Oberhofen: Stiftung Oberhofen, 2015.

ARTICLES WITH PEER REVIEW

Francine Giese and Elena Paulino Montero, “Mudéjar Art and Architecture”, in: Encyclopaedia of Islam, Third Edition, Leiden: Brill, 2018 (forthcoming).

Francine Giese and Ariane Varela Braga, “Translocating Metropolitan Display Strategies in 19th-century Europe. Frederick Stibbert, Henri Moser and their Orientalist Style Rooms”, in: International Journal of Islamic Architecture, 2018 (forthcoming).

“From al-Andalus to Germany – Artistic Transfer in Nineteenth century Europe”, in: Angelika Malinar, Simone Müller (eds.), Asia and Europe – Interconnected: Agents, Concepts and Things, Wiesbaden: Harrassowitz, 2018 (in press).

 “Moschee oder Kathedrale? Wenn zwei Religionen denselben Bau beanspruchen”, Beiträge zur Islamischen Kunst und Archäologie, 2018 (in press).

“Befundsicherung oder neuzeitlicher Ersatz? Die wechselvolle Geschichte der Cordobeser Mosaiken im 19. Jh. und frühen 20. Jh.”, Beiträge zur Islamischen Kunst und Archäologie, vol. 5, 2017, pp. 185-196.

Francine Giese et al., “Resplendence of al-Andalus. Exchange and Transfer Processes in Mudéjar and neo-Moorish Architecture”, Asiatische Studien, vol. 70.4, 2016, pp. 1307-1353.

“From Style Room to Period Room. Henri Moser's fumoir in Charlottenfels Castle”, in: S. Costa, D. Poulot, M. Volait (eds.), Period rooms. Allestimenti storici tra arte, gusto e collezionismo, Atti del Convegno Internazionale, Bologna, 18-19 aprile 2016, Bologna: Bononia University Press, 2016, pp. 153-160.

“Félix Hernández Giménez und die Erhaltung der Grossen Moschee von Córdoba”, in: Madrider Mitteilungen, 2015, vol. 56, pp. 494-507.

“Sein und Schein in der spanisch-islamischen Architektur. Die Arkaturen der Capilla de Villaviciosa und des Patio de los Leones”, in: Miradas, vol. 1, October 2014.

 “Die Moschee von Córdoba zwischen Ost und West”, in: Madrider Mitteilungen, 2009, vol. 50, pp. 524-537.

“La Mezquita Mayor de Córdoba y Samarra”, Anales de Arqueología Cordobesa, 2008, vol. 19, pp. 277-292.

“Die Gewölbe der Grossen Moschee von Córdoba und der islamische Osten”, in: Madrider Mitteilungen, 2007, vol. 48, pp. 306-322.

 

ARTICLES IN JOURNALS / PROCEEDINGS / E-JOURNALS 

“From al-Andalus to Germany – Artistic Transfer in Nineteenth century Europe”, in: Angelika Malinar, Simone Müller (eds.), Asia and Europe – Interconnected: Agents, Concepts and Things, Wiesbaden: Harrassowitz, 2018 (in press).

«Islamic Stars in the West». Échanges culturels et transferts artistiques entre le Monde de l'Islam et l'Occident»”, in: Silvia Naef, Pauline Nerfin, Nadia Radwan (eds.), D'une rive à l'autre : patrimoines croisés. Mélanges an l'honneur de Leïla el-Wakil, Genève: Slatkine, 2018, 209-221.

“An inclination for the Moorish Style. Architects and Networks in 19th century Germany”, in: Francine Giese, Ariane Varela Braga (eds.), The Power of Symbols. The Alhambra in a Global Context, Bern: Peter Lang, 2018, 225-244.

“The Capilla Real in Córdoba. Transcultural Exchange in Medieval Iberia”, in: Francine Giese, Markus Thome, Anna Pawlak (eds.), Tomb, Memory, Space. Concepts of Representation in Premodern Christian and Islamic Art, Berlin: Walter de Gruyter, 2018, 143-157.

Précis, "Islamic Art History and Archaeology in Crisis? Challenges and New Perspectives", Madrid, January 12-15, 2017, in: International Journal of Islamic Architecture, 2017, pp. 201-203.

“The Oberhofen Selamlik. A Cairene mandara made in Switzerland”, The Myth of the Orient. Architecture and Ornament in the Age of Orientalism, proceedings of the international conference held at Oberhofen Castle, 12 June 2015, Bern: Peter Lang, 2016, pp. 181-200.

“Wilhelm Meyer und der Traum von al-Andalus”, in: Mitteilungen der Carl Justi-Vereinigung, vol. 27./28., 2015/16, pp. 124-130.

“Mudejarismo und maurisches Revival in Europa”, Mitteilungen der Carl Justi-Vereinigung, vol. 27./28., 2015/16, pp. 117-123.

“Von der Studie zum Interieur. Die Entstehung des Selamliks im Schloss Oberhofen”, Mythos Orient. Ein Berner Architekt in Kairo, exhibition catalogue (Oberhofen Castle), Oberhofen: Stiftung Schloss Oberhofen, 2015.

“Theodor Zeerleder und Henri Moser – zwei Schweizer Orientreisende und ihre Fumoirs”, Mythos Orient. Ein Berner Architekt in Kairo, exhibition catalogue (Oberhofen Castle), Oberhofen: Stiftung Schloss Oberhofen, 2015.

“Restorating al-Andalus. The Alhambra and the Spanish Heritage Debate”, www.bauforschungonline.ch, April 2014.

“The Alhambra in Granada and the Memory of its Islamic Past”, in: Crossing cultures: conflict, migration and convergence: the proceedings of the 32nd International Congress of the History of Art (Comité Internationale d'Histoire de l'Art, CIHA), The University of Melbourne, 13-18 January 2008, Jaynie Anderson (ed.), Carlton (Vic.): The Miegunyah Press, 2009, pp. 529-531.

“Die Grosse Moschee von Cordoba zwischen Christianisierung und Re-Islamisierung”, Online-Publikation auf www.bauforschungonline.ch, August 2007.

“Die Kanonisierung des westislamischen Sakralbaus”, www.bauforschungonline.ch, September 2006.

“Sinan zwischen Vision und Auftragswerk”, www.bauforschungonline.ch, June 2006.

“Quand une mosquée devient cathédrale. Cordoue et son passé islamique”, in: Conservation in changing societies. Heritage and development. Proceedings of the international conference on the occasion of the 30th anniversary of the Raymond Lemaire International Center for Conservation (1976-2006), Leuven, May 22-25, 2006, Leuven: Raymond Lemaire International Center for Conservation, pp. 161-170.