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Bhagwati, Annette / Radulovic, Veronika (2021): Don’t Call It Art! Contemporary Art in Vietnam. The Pioneers 1993-1999 (eds.), Bielefeld: Kerber Verlag 2021
Czekelius, Annette / Thoss, Michael (2000): Heimat Kunst (eds.), Berlin: Haus der Kulturen der Welt 2000
Czekelius; Annette / Thoss, Michael (2000): Porträt Afrika: Fotografische Positionen eines Jahrhunderts (eds.), Berlin: Haus der Kulturen der Welt 2000
Garb, Tamar (2016): William Kentridge and Vivienne Koorland: Conversations in Letters and Lines (ed.), Edinburgh: Fruitmarket Gallery 2016
Garb, Tamar (2011): Figures and Fictions: Contemporary South African Photography (ed.), London: V&A Publishing 2011
Garb, Tamar (2008): Home lands - land marks: contemporary art from South Africa (ed.), London: Haunch of Venison 2008
Gassmann de Sousa, Bea / Verissimo, Jumoke (forthcoming): Title TBA (Uche Okeke catalogue), Asele Institute and Iwalewahaus Books, 2021
Gassmann de Sousa, Bea (2018): Tate Papers, no. 30 (ed. with Christopher Griffin and Kerryn Greenberg), Nigerian Modernism, 2018/2019
Gutberlet, Marie-Hélène (2018): Women on Aeroplanes Inflight Magazine, #1 – #4 (ed. with Busch, A.), self-published 2018
Gutberlet, Marie-Hélène (2013): The Space Between Us (ed.), Bielefeld: Kerber Verlag 2013
Gutberlet, Marie-Hélène (2012): Shoe Shop (ed. with Snyman, C.), Johannesburg: Jacana/Fanele 2012
Gutberlet, Marie-Hélène (2011): Die Kunst der Migration. Aktuelle Positionen zum europäisch-afrikanischen Diskurs. Material, Gestaltung, Kritik (ed. with Helff, S.), Bielefeld: transcript 2011
Kravagna, Christian (2017): Transmoderne: Eine Kunstgeschichte des Kontakts, Berlin: b_books 2017 (Transmodern: An Art History of Contact 1920-1960, forthcoming 2022 with Manchester University Press)
Kravagna, Christian / Kogoj, Cornelia (2019): Das amerikanische Museum: Sklaverei, Schwarze Geschichte und der Kampf um Gerechtigkeit in Museen der Südstaaten (The American Museum: Slavery, Black history and the Struggle for Justice in Museums of the South), Vienna, Berlin: Mandelbaum 2019
Kravagna, Christian (2013): Transcultural Modernisms (ed. with Model House Research Group), Berlin: Sternberg Press 2013
Kravagna, Christian (2006): Routes: Imaging travel and migration (ed.), Frankfurt/Main: Revolver 2006
Küster, Bärbel (2014): Bamako-Dakar. West-Afrikanische Fotografie heute (ed.), exhibition Stadthaus Ulm, Ulm 2014
Küster, Bärbel / Pacquet, Clara (2016): Orality and Photography. Dialogues in Bamako, Dakar and elsewhere, 2011-15 / Photographie et Oralité. Dialogues à Bamako, Dakar et ailleurs, 2011-15 (eds.), online publication 2016 (English websiteand French website)
Mende, Doreen / Travelling Communiqué project group et al (2016): Travelling Communiqué Journal. Going into the presidential photo archive of Josip Broz Tito (eds.), Leipzig: spector books 2016.
Mende, Doreen / Armin Linke / Estelle Blaschke (2013): Doppelte Ökonomien/Double Bound Economies Reading an Archive from the GDR 1967–1990 (eds.), Leipzig: spector books 2013.
Bhagwati, Annette (forthcoming): Reference or Representation? The impact of S.E.A. (Students Exercise Artworks) on Canon Formation in Vietnamese Contemporary Art, in: Proceedings of the 34th World Congress of Art History, Beijing 2016, Beijing: Commercial Press, forthcoming
Bhagwati, Annette (2020): Representation of Culture(s). Articulations of the De/Post-Colonial at the Haus der Kulturen der Welt in Berlin, in: von Oswald, M. / Tinius, J. (eds.), Across Anthropology. Troubling Colonial Legacies, Museums, and the Curatorial, Belgium: Leuven University Press 2020, pp. 336 – 361
Bhagwati, Annette (2019): Modes of Aesthetic Display in African Art, in: von Bismarck, B. / Mayer-Krahmer, B. (eds.), Curatorial Things, Berlin: Sternberg Press 2019, pp. 134 – 164
Bhagwati, Annette (2018): Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating, in: Dornhof, S. / Buurman, N. / Hopfener, B. / Lutz, B. (Eds.), Situating Global Art. Topologies, Temporalities, Trajectories, Bielefeld: Transcript Verlag 2018 pp. 191 – 209
Bhagwati, Annette (2017): Art and the Manifestation of Social Change. Interview with Lisa Rosendahl, Stockholm 2017
Bhagwati Annette (2014): Inside the Archive of Magiciens de la Terre. André Magnin and the curatorial selection of visual artists from the DR Kongo, in: Journal Bibliothèque Kandinsky, 2014
Bhagwati, Annette (2014): Exhibition-making, Canonbuilding and the Ethics of Curating in Transcultural Contexts, in: Yishu – Journal of Contemporary Chinese Art, vol. 13, 2, 2014, pp. 42 – 52
Bhagwati, Annette (2012): Art and Artifact: Curatorial Strategies and the Dual Nature of the Object at the MOA in Vancouver, in: The Challenge of the Object – Die Herausforderung des Objekts, Conference Proceedings CIHA 2012, part I. Nürnberg: Germanisches Nationalmuseum 2012 pp. 398 – 400
Garb, Tamar (2020): Painting/Politics/Photography: Marlene Dumas, Mme Lumumba and the Image of the African Woman, in: Art History, vol. 43, no. 3, 2020, pp. 588 – 611
Garb, Tamar / Mokoena, Hlonipha (2019): Navigating the African Archive – A Conversation between Tamar Garb and Hlonipha Mokoena, in: Critical Arts, vol. 33, no. 6, 2019, pp. 40 – 51
Gassmann de Sousa, Bea (forthcoming): I’ll be your mirror: Emma Wolukau-Wanambwa’s science fiction of truth, Iwalewahaus Books, forthcoming 2020
Gassmann de Sousa, Bea / Ugiomoh, Frank (2019): Nigerian Modernism: Reflections on Time and Scale, in: Museum Global: Micro-Histories of an Ex-Centric Modernism, Düsseldorf: Kunstsammlung Nordrhein-Westfalen 2019
Gassmann de Sousa, Bea (2018): The Family Archive as Political Site, in: Third Text, vol. 31, no. 4, 2018, pp. 499 – 532
Gassmann de Sousa, Bea (2018a): Decolonising Nigerian Modernism: Ben Enwonwu’s ‘Identity in Politics’, in: Tate Papers, no. 30, Autumn 2018 website
Kravagna, Christian (2018): Thoughts on the Concept of Transmodernism: Christian Kravagna in conversation with the curators of the museum global exhibition, in: Museum Global: Microhistories of an Ex-centric Modernism, Düsseldorf: Kunstsammlung Nordrhein-Westfalen 2018
Kravagna, Christian (2015): When Routes Entered Culture: Histories and Politics of Transcultural Thinking, in: Gludovatz, K., Noth, J., Rees, J. (eds.), The Itineraries of Art: Topographies of Artistic Mobility 1500 – 1900, Paderborn: Wilhelm Fink 2015
Kravagna, Christian (2014): Encounters with Masks: Counter-primitivism in 20th Century Black Art, in: Genge, G., Stercken, A. (eds.), Art History & Fetishism Abroad: Global Shiftings in Media and Methods, Bielefeld: Transcript 2014
Kravagna, Christian (2013): Toward a Postcolonial Art History of Contact, in: Texte zur Kunst, vol. 91, September 2013
Kravagna, Christian (2011): Culture and Migration: Contradictory Attitudes of Europe to Africa, in: Cooperación cultural entre Europa y África. Actas del 1er Campus Euroafricano de Cooperación Cultural, Agencia Española de Cooperación International para Desarrollo, Madrid 2011
Kravagna, Christian (2006): The Artist as Traveller. Aus den Reisealben der (Post-)Moderne, in: Michalka, M. und Mumok (eds.), The Artist as ..., Nürnberg: Verlag für moderne Kunst 2006
Kravagna, Christian (2002): Das dichte Jahrzehnt: Positionsverschiebungen afrikanischer Kunst 1989-2002, in: Kunst und Politik – Schwerpunkt: Postkolonialismus, Jahrbuch der Guernica-Gesellschaft, vol. 4, ed. Viktoria Schmidt-Linsenhoff, Osnabrück 2002
Küster, Bärbel (2018): Kunst aus dem Kongo - Zwischen Sputnik und Atomium, in: Fast, F. et al (eds.), Brisante Träume: Die Kunst der Weltausstellung, Herford: Marta 2018, pp. 98 – 107
Küster, Bärbel (2016): Gesten des Dokumentierens – Archive des Scheiterns. Fotoalben der Kolonialzeit, in: Schmidt, S. (ed.), Sprachen des Sammelns, Paderborn: Fink 2016, pp. 363 – 388
Küster, Bärbel / Schäfer, Armin / Scholz, Susanne (2016): Taxonomien des Menschen – Archive des Humanen. Zur Einleitung, in: Schmidt, S. (ed.), Sprachen des Sammelns, Paderborn: Fink 2016, pp. 315 – 325
Küster, Bärbel (2015): Patterns that connect? Kunstwissenschaftliche Deutungsmuster, in: Tietenberg, A. (ed.) Muster im Transfer. Ein Modell transkultureller Verflechtung?, Köln, Wien: Böhlau 2015, pp. 37 – 52
Küster, Bärbel (2014): "Weltkunst" und "Globalkunst" – Widersprüche eines kunsttheoretischen und künstlerischen Handlungsraums als Utopie von Entgrenzung, in: Raulet, G., Schmidt, S. (eds.), Wissen in Bewegung: Theoriebildung unter dem Fokus von Entgrenzung und Grenzziehung, Berlin : Lit 2014, pp. 259 – 275
Küster, Bärbel (2013): French Art for All! Museum projects in Africa 1912-1931 between avant-garde and colonialism, in: Savoy, B., Meyer, A. (eds.), The Museum is Open. Transnational History of Museums 1750 to 1945, Berlin: De Gruyter 2013, pp. 245 – 258
Küster, Bärbel (2013): In conversation with: Guy Woueté, Emmanuel Bakary Daou, Fatoumata Diabaté, in: Gutberlet, M.-H. (ed.), The space between us, Berlin: Kerber Verlag 2013, pp. 26 – 29, pp. 132 – 129, pp. 276 – 281
Küster, Bärbel / Linke, Armin (2012): Lampedusa. The day after. Fotografie und Migration, in: Stepken, A. (ed.), On one side of the same water. Künstlerische Praxis zwischen Tirana und Tanger, Jahresring 59, 2012, pp. 189 – 205
Küster, Bärbel (2011): Visuelle Kontaktzonen in der Bildenden Kunst, Europa – Afrika, in: Gutberlet, M.-H., Helff, S. (eds.), Die Kunst der Migration. Aktuelle Positionen zum europäisch-afrikanischen Diskurs, Bielefeld: transcript 2011, pp. 201 – 211
Küster, Bärbel (2010): The first colonial art museum and transnationalism in the visual arts. Saint Denis, La Réunion 1912, in: Schabio, S., Göbel, W. (eds.), Locating transnational ideals, London: Routledge 2010, pp. 154 – 170
Küster, Bärbel (2006): Zwischen Ästhetik, Politik und Ethnographie: Die Präsentation des Belgischen Kongo auf der Weltausstellung Brüssel-Tervuren 1897, in: Grewe, C. (ed.), Die Schau des Fremden. Ausstellungskonzepte zwischen Kunst, Kommerz und Wissenschaft, (= Transatlantische Historische Studien, 26), Stuttgart: Steiner 2006, pp. 95 – 118
Küster, Bärbel (2003): Der verglichene Körper – Aktdarstellung und anthropologische Fotografie, in: Schulze, S., Mongi-Vollmer, E. (eds.), Frauenansichten, Malerabsichten, Aufbruch zur Moderne, Städelsches Kunstmuseum, Frankfurt/M., Ostfildern-Ruit: HatjeCantz 2003, pp. 94 – 105
Küster, Bärbel (1999): Barbarei und Kunstkritik. Die Rezeption afrikanischer Kunst in der französischen Kunstkritik 1900-1920, in: Fleckner, U., Gaehtgens, T. W., Prenez-garde à la peinture! Kunstkritik in Frankreich 1900-1945 (=Passagen. Jahrbuch des Deutschen Forums für Kunstgeschichte, Paris, 1), Berlin: Akademie 1999, pp. 361 – 378
Mende, Doreen (2020): The Image-Complex of Modernity’s Grandchildren, in: Brunnschweiler, H. (ed.), Laura Horelli. Changes in Direction, Berlin: Archive Books 2020
Mende, Doreen (2020): Looking Closely: A Visual Pedagogy as Display of Politics (For Angela Davis), in: Reinhardt, K. (ed.), One Million Rosen für Angela Davis, Staatliche Kunstsammlung Dresden, Milano: Mousse Publishing 2020
Mende, Doreen (2020): Doppelte Sammlungsarbeit, in: Griesser-Stermscheg, M., Sternfeld, N., Ziaja, L. (eds.), Sich mit Sammlungen anlegen. Gemeinsame Dinge und alternative Archive, Berlin/Boston: de Gruyter 2020
Mende, Doreen (2020): Remarks on defa-futurum’s Socialist Future Film for Our Contemporary Condition, in: Lütticken, S., de Bruyn, Eric (eds.), Futurity Report, Berlin/Cambridge: Sternberg Press/MIT Press 2020
Mende, Doreen (2020): defa-futurum’s time-lag: A socialist cine-futurism from East Germany, in: Skrodzka, A., Lu, X., Marciniak, K. (eds.), The Oxford Handbook for Communist Visual Cultures, Oxford University Press 2020. DOI: 10.1093/oxfordhb/9780190885533.013.11
Mende, Doreen (2019): Hamhŭng’s Two Orphans (To Konrad Püschel) East German Internationalism in North-Korea Emerging through a Chronopolitical Lens, in: Baers, M., Guttenberger, A., von Osten, M., Ströbel, I., Watson, G. (eds.), website, 2019
Mende, Doreen (2016): Solidarity in Struggle. Photography on the Threshold between Revolution and Humanitarian Violence, in: Salim Tamari and Issam Nasser (eds.), Jerusalem Quarterly, no. 67, Autumn 2016, The Institute for Jerusalem Studies, Ramallah/Jerusalem, pp. 28 – 41
Mende, Doreen / Eshun, Kodwo (2016): Prolonging 1961: A Communiqué sent to the Future, in: Travelling Communiqué project group, Kodwo Eshun, Armin Linke, Doreen Mende, Sarah Poppel, Milica Tomić and Vanessa Vasić-Janeković (eds.), Travelling Communiqué, Berlin: spector books 2016, pp. 51 – 71
Mende, Doreen / Suhair, Baha / Suhair, Jubeh (2016): Knowledge of Struggles: Imprisonment as a condition for curatorial-spatial concepts, in: Anthony Downey (ed.), Future Imperfect: Cultural Institutions and Contemporary Art Practices in the Middle East, Visual Culture series, vol. 03, Berlin / London / Tunis: Ibraaz publication and Sternberg Press 2016, pp. 262 – 287
Onwuegbucha, Iheanyi (2020): Now, What Next: On Asiko Curatorial Platform, in: Condition Report III: Art History and Africa, Dakar: RAW Material Company / Motto Books 2020
Onwuegbucha, Iheanyi (in press): The Village Square Museum, in: The Museum of the Future. 43 New Contributions to the Discussion about the Future of the Museum ed. Schnittpunkt, in press
Tchibozo, Romuald (2018): Confronter les expositions coloniales et la réception des arts d’Afrique: quels impacts sur les études postcoloniales?, in Sociétés, nations, économie et gouvernance en Afrique, Niamey: Presses du CELHTO, November 2018, pp. 531 – 550
Tchibozo, Romuald / Gnonhouevi David (2017): L’art socialiste et l’idéologie communiste au Bénin : le cas de Philippe Abayi, in: Vido, A.A. (ed.), Afrique noire : l’histoire racontée par 14 chercheurs, Paris: Edilivre, 2017, pp. 375 – 386
Tchibozo, Romuald (2017): From Ethno-aesthetic to Socialist Realism, Aesthetic Practices in Africa and New Territories of Art History: The Role of Institutions, in: Mattos Avolese, C., Conduru, R. (eds.), New Worlds: Frontiers, Inclusion, Utopias, Comitê Brasileiro de História da Arte (CBHA); Comité International de l’Histoire de l’Art and Vasto São Paulo, 2017, pp. 215 – 231
Tchibozo, Romuald (2016): Les arts à l’époque de la gouvernance révolutionnaire au Bénin :1972 à 1989, in: Godo-Godo, Revue de l’Institut d’Histoire, d’Art et d’Archéologie Africain de l’Université Felix Houphouët-Boigny d’Abidjan, no. 28, 2016, pp. 101 – 112
Tchibozo, Romuald (2015): L’art africain face au défi de la mondialisation, in: Mouckaga H., Dianzinga S., Owaye J-F. (eds.), Ethnies, Nations, Développement en Afrique, Actes du colloque de Brazzaville (Congo), du 26 au 28 mai 2014, Paris, L’Harmattan, 2015, pp. 629 – 652
Tchibozo, Romuald (2015a): Exposer l’art africainen ex-République Démocratique Allemande : le cas du musée ethnographique de Leipzig, in: Sinsin, B., Gbeto, F. and Tente, B. (eds.), Mélanges en hommage à Jean Pliya, 2015, pp. 475 – 494
Tchibozo, Romuald (2014): L’art contemporain d’Afrique dans l’ex-République Démocratique Allemande : entre influence idéologique et légitimation, in: Studies in Visual Arts and Communication : an international journal, vol. 1, no. 1, 2014, pp. 1 – 28
Gassmann de Sousa, Bea / Onwuegbucha, Iheanyi (2019): Archives in Nigeria, Bea Gassmann de Sousa and Iheanyi Onwuegbucha in conversation, Looking Back and Moving Forward, curated by Kerryn Greenberg in memory of curator Bisi Silva (1962-2019), founder of the Centre for Contemporary Art, Lagos (CCA, Lagos), 1:54 Forum, London, October 3 – 6 2019. podcast
Gutberlet, Marie-Hélène / Siegert, Nadine (2019): museum global: Unsichtbare Künstlerinnen der Moderne, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, January 16 2019, video
Kravagna, Christian / Wille, Simone (2018): The Routes of Modernism: Artistic Mobility, Protagonists, Platforms, Networks, conference organized by Christian Kravagna and Simone Wille, Academy of Fine Arts and MUMOK, Vienna, November 24 2018 video
Küster, Bärbel (2018): Zwischen Sputnik und Atomium. Der Kunstparcours des "Belgischen Kongo" 1958 in Brüssel, inaugural lecture, University of Zurich, October 8 2018
Mende, Doreen / Menétrey, Sylvain (2020): Head to Head. Interview with Doreen Mende by Sylvain Menétrey, Geneva: ISSUE Journal, HEAD Genève, 2020. video
Mende, Doreen / Vaz Borges, Sónia / Agarwal, Vinit (2020): A Transgenerational Commentary on a Song (inter∞note 02). By Sónia Vaz Borges and vinit agarwal, 25.35min, research-video edited by Doreen Mende, 2020. video
Mende, Doreen (2019): Dear Iris Gusner. A Video-Letter, 18min, research-video edited by Doreen Mende, 2019, video
Mende, Doreen / Milica Tomić (2013): Geographies of Collaboration since 1945. Interview with Doreen Mende and Milica Tomić of the Travelling Communiqué project, Berlin: House of the Cultures of the World, 2013. video
Onwuegbucha, Iheanyi (2020): Exhibitions in the Making of Contemporary Art in Nigerian, public lecture organised by the /ecm – /educating /curating /managing Master’s program of the University of Applied Arts, Vienna, June 5 2020 video
Bamako - Dakar. Westafrikanische Fotografie heute (curated by Küster, Bärbel), Stadthaus Ulm, Ulm, 2014 website
Diaspora at Home (co-curated by Onwuegbucha, Iheanyi), Centre for Contemporary Art, Lagos, 2019, and KADIST, Paris, 2021 website
Distance and Desire Encounters with the African Archive (curated by Garb, Tamar), Walther Collection, Neu-Ulm and New York, 2013 – 2014 website
Double Bound Economies (co-curated by Mende, Doreen), Halle 14 Leipzig, 2012, in collaboration with ETH Zurich, 2013, Centre de la photographie Genève, 2012, and Thomas Fischer Gallery, Berlin, 2013 website
Figures and Fictions: Contemporary South African Photography (curated by Garb, Tamar), Victoria and Albert Museum, London, 2011 website
Living Across: Spaces of Migration (curated by Kravagna, Christian), Akademie der bildenden Künste Wien, Vienna, 2010 website
Made Routes: Berni Searle and Vivienne Koorland (curated by Garb, Tamar), Richard Saltoun Gallery, London, 2019 website
Routes: Imaging Travel and Migration (curated by Kravagna, Christian), Grazer Kunstverein, Graz, 2002 website
The Space Between Us (curated by Gutberlet, Marie-Hélène), ifa Gallery Berlin, 2013 and ifa Gallery Stuttgart, 2014 website
Travelling Communiqué (co-curated by Mende, Doreen), Museum of Yugoslav History in collaboration with Dutch Art Institute, Ale Art School Addis Ababa and HKW Berlin, 2014 website
William Kentridge and Vivienne Koorland: Conversations in Letters and Lines (curated by Garb, Tamar), Fruitmarket Gallery, Edinburgh, 2016 website
Women on Aeroplanes (co-curated by Gutberlet, Marie-Hélène), Iwalewahaus Bayreuth, ifa Gallery Berlin, the Centre for Contemporary Art, Lagos, Museum of Modern Art in Warsaw, The Showroom, London and TOR Art-Space, Frankfurt am Main, since 2017 website
